This leads our hero to Rome, the Austrian Alps, Tangier, the Sahara, and, ultimately, a landmark-filled London by night, as he unravels a complex criminal surveillance network, an eye-in-the-sky challenge for MI5’s ‘dinosaur’ in the digital age (or ‘kite in a storm’, as Bond is elegantly described). SPECTRE’s lavish haul of glossy locations kicks off with an immersive pre-credit sequence at the Day of the Dead parade in Mexico City that culminates over the Zocolo in the first of the film’s several dizzying helicopter stunts. Spectre film duration series#Yet matching the emotional intensity of Skyfall was always a tall order, and this Bond relies more on the series iconography for its forward momentum. Mendes isn’t afraid to hurl every trick in the Bond book onscreen to remind us why we love 007. Extravagant locations and stunts, glowing Bond girls, excessive running time, an absurdly extended plot (involving digital surveillance) – they’re all here, along with a beguiling Euro-villain in Christoph Waltz, a white fluffy cat, ticking clocks, exploding watches and mute, over-sized henchmen who simply won’t stay down. Opening in the UK on October 26 with the US coming on stream on November 6, SPECTRE can count on an enormous global fanbase, and it delivers audiences a 24 th instalment in the franchise which risks nothing: in terms of the series trajectory, SPECTRE is a place-holder. Bond has seen it all before, this team has done it all before, and the production juggernaut hits every beat with a carefully calibrated precision which can be deeply satisfying but also risks coming across as rote. After the emotional catharsis of 2012’s Skyfall – which also released a global box office haul of $1.1bn - Daniel Craig zips up an ever-tighter suit for his fourth outing as the British secret agent with a licence to kill and puts his sports car on cruise control for director Sam Mendes. James Bond rediscovers an old nemesis in SPECTRE and, in the process, falls back on the formula to deliver a slightly flat, old-fashioned 007 by the numbers.
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